Given that the Season has hardly started, we begin with a very elegant gown. Perhaps an invitation to a country estate came your way. If so, this would be apropos.
White crape, or lace frock, over a white satin slip; the body and sleeves are formed of a very elegant fancy material, which has just been introduced.
The body is extremely novel and elegant: we refer our readers for its form to our plate: the sleeve is very short, and, as well as the body, trimmed with blond, which is set on full.
The skirt is made a walking length, and is trimmed in a most tasteful style; but the slight view which we had of the dress will not permit us to describe it: our readers, will, however, be able to form a very correct idea of it from our plate.
Head-dress, the toque a la Rubens, composed of white lace, and ornamented with feathers and precious stones. Necklace, ear-rings, and locket, of diamonds.
White satin slippers trimmed en suite, and made, as all dress shoes now are, to come very high over the foot.
White kid gloves trimmed with tull. A French scarf, superbly embroidered at the ends, and thrown carelessly over the arm.
This dress, we understand, was invented by Mrs. Griffin for a lady of distinction; and it is certainly extremely novel and elegant.
The lack of specificity in this description is very odd. The fancy new material introduced. The body novel, but then refers the reader to a plate in which it is difficult to see because the model is turned sideways on.
Marketing 1816 style? Well done Mrs Griffin.
Until next time.