Wednesday, December 28, 2016
Tuesday, December 20, 2016
Regency Fashion - December 1816
Interesting, but a little bland for my taste. What do you think?
Carriage Dress, 1816 Ackermann's
The description is as follows:
A gown of pale faun-colour cloth, made a walking length, and trimmed round the bottom with four rows of rich blue silk trimming. The body, which is cut very low, is ornamented in such a manner as to have a novel appearance, with a similar trimming, but very narrow.
The back, which is cut down on each side, is finished at the bottom of the waist by bows and long ends, trimmed to correspond.
A very tasteful half sleeve over a plain long sleeve, made tight at the wrist, and bound with blue trimming; it is finished by a narrow ruffle composed of three falls of tulle; fichu of tulle, with a ruff to correspond.
When worn as a carriage dress, the head-dress is a bonnet, the crown composed of white satin at top, and the middle and front of Leghorn; it is lined with white satin, and ornamented only by a white satin band and strings.
An India shawl is also indispensable to it as a carriage dress, for which hit is elegantly appropriate. Shoes and gloves of pale faun colour.
Our dresses this month are both French; but, as our readers will perceive from our prints, they are in the best style of Parisian costume. We have been favoured with them by a lady who has just returned from Paris.
Carriage Dress, 1816 Ackermann's
A gown of pale faun-colour cloth, made a walking length, and trimmed round the bottom with four rows of rich blue silk trimming. The body, which is cut very low, is ornamented in such a manner as to have a novel appearance, with a similar trimming, but very narrow.
The back, which is cut down on each side, is finished at the bottom of the waist by bows and long ends, trimmed to correspond.
A very tasteful half sleeve over a plain long sleeve, made tight at the wrist, and bound with blue trimming; it is finished by a narrow ruffle composed of three falls of tulle; fichu of tulle, with a ruff to correspond.
When worn as a carriage dress, the head-dress is a bonnet, the crown composed of white satin at top, and the middle and front of Leghorn; it is lined with white satin, and ornamented only by a white satin band and strings.
An India shawl is also indispensable to it as a carriage dress, for which hit is elegantly appropriate. Shoes and gloves of pale faun colour.
Our dresses this month are both French; but, as our readers will perceive from our prints, they are in the best style of Parisian costume. We have been favoured with them by a lady who has just returned from Paris.
Now I thought Leghorn was a style, here it is used to describe a material.
Until Next Time...............
Monday, December 12, 2016
Regency Fashion
December 1816
Promenade Dress
'Tis the Season.
The richness of this gown in the December Ackermann's makes me think of Christmas and warmth.
Here is the description:
A HIGH dress of cambric muslin trimmed at the bottom with a single flounce of work.
The body, which is composed entirely of work, fits the shape without any fullness. A plain long sleeve, finished by a triple fall of narrow lace.
Over this dress is worn the Angouleme pelisse, composed of crimson velvet, lined with white sarsnet, and trimmed with a single welt of crimson satin, a shade lighter than the pelisse.
The body is made exactly to the shape; the back is of course a moderate breadth, and without fullness: for the form of the front we refer our readers to our print; it is confined at the waist, which is very short, by a narrow velvet band, edged to correspond. A small collar, of a novel and pretty shape, stands up and supports a rich lace ruff, which is worn open in front of the throat.
The sleeve has very little fullness, and that little is confined at the wrist by three narrow bands of puckered satin.
Bonnet a la Royale, composed of white satin very tastefully intermixed with a large bunch of fancy flowers, and tied under the chin by a white satin ribbon, which is brought in a bow to the left side; a full quilling of tulle finishes the front.
Black silk ridicule, exquisitely worked in imitation of the ends of an India shawl, and trimmed with black silk fringe. White kid gloves and black walking shoes.
I was intrigued by the ridicule, because of it's embroidery (described as work) and as you know that is my "thing". We see little of the dress itself, just a peek through the opening in the pelisse.
Until next time.....
Promenade Dress
The richness of this gown in the December Ackermann's makes me think of Christmas and warmth.
Here is the description:
A HIGH dress of cambric muslin trimmed at the bottom with a single flounce of work.
The body, which is composed entirely of work, fits the shape without any fullness. A plain long sleeve, finished by a triple fall of narrow lace.
Over this dress is worn the Angouleme pelisse, composed of crimson velvet, lined with white sarsnet, and trimmed with a single welt of crimson satin, a shade lighter than the pelisse.
The body is made exactly to the shape; the back is of course a moderate breadth, and without fullness: for the form of the front we refer our readers to our print; it is confined at the waist, which is very short, by a narrow velvet band, edged to correspond. A small collar, of a novel and pretty shape, stands up and supports a rich lace ruff, which is worn open in front of the throat.
The sleeve has very little fullness, and that little is confined at the wrist by three narrow bands of puckered satin.
Bonnet a la Royale, composed of white satin very tastefully intermixed with a large bunch of fancy flowers, and tied under the chin by a white satin ribbon, which is brought in a bow to the left side; a full quilling of tulle finishes the front.
Black silk ridicule, exquisitely worked in imitation of the ends of an India shawl, and trimmed with black silk fringe. White kid gloves and black walking shoes.
I was intrigued by the ridicule, because of it's embroidery (described as work) and as you know that is my "thing". We see little of the dress itself, just a peek through the opening in the pelisse.
Until next time.....
Thursday, December 1, 2016
Hall Place in Kent
Hall Place is perhaps one of the most unusual places we have been in search of the Regency. It is situated in Bexley in Kent. During the time I grew up theren the house was not open to the public, but it was a well-known local land mark.
Hall place dates back to before Henry VIII's reformation and around that time fell into the hands of one of London's Lord Mayors, Sir John Champney a self-made man who died of the plague in 1556.
This is a view of the Tudor courtyard built for Champney with its stunning pattern of grey and white stone. A mark of his wealth and importance. Originally it would have had only one large oriel window looking into the courtyard, as all the other windows also would have done.
Over time, the house was added to and altered by succeeding owners and in 1772, the era in which we are interested it passed into the hands of Sir Francis Dashwood, later Baron Le Despenser. Apparently there really were Dashwoods around in Jane Austen's time.
The red brick extension, with its two wings and front facing outwards now, was added to what would have been the back of Tudor buildings as seen here. The extension formed a central enclosed courtyard between the new front and the old tudor great hall, and provided a corridor between the wings.
A view along the side shows where the new was added to the old. I must say I found it rather odd from this angle, but I cannot contain my respect for those who decided to keep the old Tudor part in tact.
A bell tower was added within the new courtyard with a fashionable prospect room at the top for watching the hunt and for entertaining. What and interesting looking tower it is. The rectangular windows follow the ascending stairs to form an unusual asymmetric pattern. The courtyard at this time would have been the hub of the household. Water was fetched from the pump and arrivals and departures would be observed from the upstairs windows. The archways around the courtyard lead to the new architectural development --- corridors. It enabled privacy, one room no longer leading directly into the next
At the time Sir Francis inherited the property it was rented out to a Richard Calvert Esquire and then to the Reverend Richard Jeffreys in 1798 who set it up as a School for young gentlemen. And so it remained until the 1860's.
What a wonderful place for boys to go to school. At the time there were coach houses, stables, outhouses, office buildings, boat yards, orchard gardens, shrubberies, a pleasure ground and appurtenances thereto.
What a great setting for a story.
Hall Place today is a mix of original Tudor, Commonwealth and Restoration.
Next time will will take a peek around the interior. Until then.....
I
Hall place dates back to before Henry VIII's reformation and around that time fell into the hands of one of London's Lord Mayors, Sir John Champney a self-made man who died of the plague in 1556.This is a view of the Tudor courtyard built for Champney with its stunning pattern of grey and white stone. A mark of his wealth and importance. Originally it would have had only one large oriel window looking into the courtyard, as all the other windows also would have done.
Over time, the house was added to and altered by succeeding owners and in 1772, the era in which we are interested it passed into the hands of Sir Francis Dashwood, later Baron Le Despenser. Apparently there really were Dashwoods around in Jane Austen's time.The red brick extension, with its two wings and front facing outwards now, was added to what would have been the back of Tudor buildings as seen here. The extension formed a central enclosed courtyard between the new front and the old tudor great hall, and provided a corridor between the wings.
A view along the side shows where the new was added to the old. I must say I found it rather odd from this angle, but I cannot contain my respect for those who decided to keep the old Tudor part in tact.
A bell tower was added within the new courtyard with a fashionable prospect room at the top for watching the hunt and for entertaining. What and interesting looking tower it is. The rectangular windows follow the ascending stairs to form an unusual asymmetric pattern. The courtyard at this time would have been the hub of the household. Water was fetched from the pump and arrivals and departures would be observed from the upstairs windows. The archways around the courtyard lead to the new architectural development --- corridors. It enabled privacy, one room no longer leading directly into the next
At the time Sir Francis inherited the property it was rented out to a Richard Calvert Esquire and then to the Reverend Richard Jeffreys in 1798 who set it up as a School for young gentlemen. And so it remained until the 1860's.
What a wonderful place for boys to go to school. At the time there were coach houses, stables, outhouses, office buildings, boat yards, orchard gardens, shrubberies, a pleasure ground and appurtenances thereto.
What a great setting for a story.
Hall Place today is a mix of original Tudor, Commonwealth and Restoration.
Next time will will take a peek around the interior. Until then.....
I
Monday, November 28, 2016
Fashion for November 1816
The weather is cooling down but the fashions are hotting up.
What could be more Regency than this striped gown?
From Ackermann's November 1816
Evening Dress
A lilac and white striped gauze dress over a white satin slip; the bottom of the skirt is ornamented with five rows of white silk trimming of a very light and elegant description: it has just been introduced, and the pattern has more novelty than any thing we have seen for some time: a single flounce of deep blond lace completes the trimming.
The body is also very novel; the upper part is formed of lace, and the lower of gauze, to correspond with the dress: the latter is quite tight to the shape, but the former has an easy fullness, which forms the shape in a manner extremely advantageous to the figure.
The sleeve is short and very full; it is composed of lace, looped high, and finished by a trimming to correspond with that on the skirt.
The hair is full dressed, without any ornament.
Necklace, cross, armlets and bracelets of rubies. White satin slippers, and white kid gloves.I like this gown, very pretty and flattering. Get out your rubies, ladies!
Don't forget to order your copy of Secrets of the Marriage Bed in on-line stores everywhere. Go to my website for links
What woman doesn't need to know a few secrets?
Thursday, November 24, 2016
Thursday, November 17, 2016
Fawkham in Kent
Fawkham Green in Kent or Fawkham is not likely a place you have ever heard of. Indeed, in 17 97 it was described thusly:THIS PARISH is a lonely unfrequented place, and contains about one thousand acres of land, of which about two hundred and fifty are wood, having no public high road through it. It lies on high ground, among the hills; the soil is much inclined to chalk, and is very slinty and barren, but though it is poor, yet this, as well as the neighbouring parishes in a like situation, is in some measure recompensed by being exceedingly healthy. There are two hamlets in it called Fawkham-green and Fawkham-street. The church stands near the northern boundary of it. The seat of Pennis is situated in the middle of the parish, adjoining to a large wood, which extends quite across it.
For all that, or perhaps because of it, the Duke of Norfolk built a country home here in 1806. Now the Brands Hatch hotel, it is a beautiful Georgian Manor and a lovely place to stay. The red brick mansion comes into view at the end of a tree-lined drive and visitors may enjoy twelve acres of surround gardens and parklandm
I have to admit it is not as quiet as it would have been in the Duke of Norfolk's day as one can easily hear the sound of engines buzzing from the nearby racetrack. But the grounds are quite lovely, the room elegantly appointed and the dining excellent.
More enticing yet were the glimpses of the Regency still visible inside and outside.
This staircase for example, and the exterior above.
If you like to stay where history meets modern conveniences, this might well be the place for you.
Join me next time as I delve deeper into Kent,
Until then.......
Thursday, November 10, 2016
What Did They Wear in November 1816?
Two hundred years ago the fashion looked like this.
Morning Gown, November 1816, Ackermann's
A ROUND dress, composed of cambric; the skirt is finished at bottom by four rows of rich embroidery and two flounces of work; it is very full; and the body, which is a chemisette, has also considerable fullness thrown behind.
The body is made up to the throat, and trimmed at the neck with a double frill of rich work: it is made very full behind, but plain in front.
A long loose sleeve, finished at the wrist by three puffings and a single fall of narrow work.
Head-dress a morning cornette, composed of fine clear muslin, with a border to correspond. The form of this cornette is uncommonly novel and striking; the crown is ornamented, something in the style of a turban, with rolls of muslin, and finished at the top by a bow of straw-coloured ribbon.
Gloves and sandals of straw colour.
A new pattern silk handkerchief thrown carelessly over the shoulder, completes the dress.
Cornettes apparently continued to be the head dress of choice in this year. I love the hem line, with all the layers of lace. I assume the carelessly thrown handkerchief not only serves as decoration, but assists in parrot poop clean up. I think this is the first time I have seen a pirate parrot on one of these plates.
Until next time.........
A ROUND dress, composed of cambric; the skirt is finished at bottom by four rows of rich embroidery and two flounces of work; it is very full; and the body, which is a chemisette, has also considerable fullness thrown behind.
The body is made up to the throat, and trimmed at the neck with a double frill of rich work: it is made very full behind, but plain in front.
A long loose sleeve, finished at the wrist by three puffings and a single fall of narrow work.
Head-dress a morning cornette, composed of fine clear muslin, with a border to correspond. The form of this cornette is uncommonly novel and striking; the crown is ornamented, something in the style of a turban, with rolls of muslin, and finished at the top by a bow of straw-coloured ribbon.
Gloves and sandals of straw colour.
A new pattern silk handkerchief thrown carelessly over the shoulder, completes the dress.
Cornettes apparently continued to be the head dress of choice in this year. I love the hem line, with all the layers of lace. I assume the carelessly thrown handkerchief not only serves as decoration, but assists in parrot poop clean up. I think this is the first time I have seen a pirate parrot on one of these plates.
Until next time.........
Thursday, November 3, 2016
Fashion in the Regency - October 1816
Ball Gown - October 1816 Ackermann's RepositoryOne cannot help loving the colour maiden-blush.
A gown, composed of white gauze, of an exquisitely beautiful and glossy texture: it is worn over a maiden-blush slip.
For the form of the dress, which is in the highest degree novel and elegant, we refer our readers to our print. The trimming is a rich rollio of intermingled gauze and satin at the bottom of the dress, above which is a wreath of fancy flowers, and this wreath is surmounted by white satin draperies: the general effect of this trimming is uncommonly tasteful and striking.
The hair is much parted on the forehead, and dressed very low at the sides; and the hind hair, brought up very high, forms a tuft.
Head-dress, a wreath of French roses, placed so as apparently to support the hind hair.
Necklace, bracelets, and ear-rings of pearl. White kid slippers and gloves.
We have to
thank the condescension of a lady, one of our subscribers, for both the elegant
dresses which we have given this month.
And finally we are caught up. Just in time for Christmas
By the way, my next book - Secrets of the Marriage Bed is available for preorder Get all the links to your favorite story at AnnLethbridge.com
Until Next Time
Monday, October 31, 2016
Regency Fashion October 1816
Half Dress, from Ackermann's October 1815
A GOWN of lilac sarsnet, cut low round the bust, which is trimmed with pink ribbon, disposed so as to form a wreath;
the shape of the back is marked by bands of pink, and a large bow in the French style, ornaments the middle of it at the bottom.
The back is full; a plain light front forms the shape in a most becoming manner.
Long full sleeve, composed of clear muslin, trimmed at the wrist with a single row of lace, and finished by a pink bow.
Fichu to correspond, very full trimmed round the throat with lace. The bottom of the skirt is edged with pink, and trimmed with a single flounce of blond lace, set on very full, and surmounted by a wreath of French roses.
Cornette composed of tulle, finished by a quilling of blond round the face, and fastened by a pink bow under the chin; a bow to correspond ornaments it on the forehead, and a bunch of flowers is placed very far back on the head. The style of this cornette, though French, is so simply elegant and becoming, that we have not for some time seen any half-dress cap to equal it.
Plain gold ornaments. White kid gloves, and white kid slippers with pink rosettes.
Well, despite the hyperbole, I don't thing I would be caught dead in the cornette. What about you?
Until next time.......
Thursday, October 20, 2016
Regency Fashion September 1816
The description follows:
EVENING DRESS
A white British net dress over a white sarsnet slip; the dress is trimmed round the bottom with a deep flounce of lace, surmounted by a wreath of roses, immediately above which is a rollio of white satin. This trimming is uncommonly tasteful and striking.
The body and sleeves are of the same material as the dress; the former is full, and cut in a very novel style: a quilling of blond lace goes round the bosom, which comes high at the sides, but is sloped very much just in front.
A small bouquet of moss roses shades the bosom and gives an elegant finish to the dress.
The sleeve, short and extremely full, is divided into compartments by rollios of satin.
Head-dress a wreath of moss roses, fancifully intermixed with corn-flowers; the hair very becomingly dressed in light loose ringlets on the forehead, and moderately high behind.
A superb white lace scarf, thrown round the shoulders, partially shades the back of the neck.
Necklace, ear-rings, and bracelets, pearl. White satin slippers and white kid gloves.
We are indebted to the condescension of a lady of distinguished rank for both our dresses this month.
Until Next Time
Monday, October 17, 2016
Regency Fashion September 1816
Which is something you would wear around the house.
I this it is very pretty. This one I want for one of my characters.
It is from the September fashions for 1816 from Ackermann's. Here is the description:
HALF DRESS.
A STRIPED sarsnet gown, very richly trimmed round the bottom with a flounce of deep work, finished with a heading: a second flounce is set on at some distance; which is much narrower; it is also finished with a heading. Bows of Pomona green ribbon ornament the skirt a little above the flounce.
The body is cut very low; it is full. The sleeve is long, very loose, and fancifully trimmed with bows of Pomona green ribbon to correspond with the trimming of the skirt; the sleeve is finished by a very novel and pretty cuff of pointed lace.
Fichu a la Duchesse de Berri, composed of white lace, which comes very high; but though it shades the neck in the most delicate manner, it does not by any means give an idea of dishabille; on the contrary, it might be worn in full dress.
Hair cropped, and dressed in very full curls in the neck, and very full on the forehead.
Striped kid slippers to correspond with the dress. White kid gloves.
Necklace white cornelian, with a small gold cross. Ear-rings white cornelian.
There is lots of information here for the avid dresser of Regency ladies, from colours to jewels to lace and trimmings. I really like this gown. What about you?
Tuesday, October 4, 2016
Regency Fashion August 1816
EVENING DRESS - August 1816 from Ackermann's.
You will not that we are presented with the back of the gown for some reason. Perhaps because of the way it is gathered. It is exceedingly low i n the neckline.
The skirt gored, and a good deal of fullness thrown behind.
The body, which is disposed in small plaits, displays the shape, as our readers will perceive by our print, to a very great advantage; it is trimmed round the bosom with a wreath of small white net roses, with a little tuft of pearl in the heart of each.
Long loose sleeve, composed of white lace, and finished a la Parisienne with a rich double frill of lace at the wrists.
The skirt is ornamented, in an exquisitely tasteful style, with a broad flounce of rich blond, surmounted by wreaths of roses and deep scollops of white net, the points of which are finished by bows of white satin ribbon. The effect of this trimming is uncommonly beautiful.
Hair, cropped and curled full in the back of the neck, and dressed light, and much parted on the forehead: it is ornamented with a superb white ostrich-plume, at the base of which is an aigrette of diamonds. Neck-lace, ear-rings, and bracelets also of diamond.
White satin slippers, and white kid gloves.
Extra
Fashion Notes.
I thought this comment by Ackermann's in the same month interesting enough to add it here.
We see, with pleasure, ladies of distinction give liberal encouragements to English manufactures; and it is but justice to our own, that the productions of our own looms may vie with those of any other country. Our imitations of China crape and French silk, both for dresses and scarfs, are now universally adopted; the former in particular are uncommonly good.
Did you see Poldark last night. The comment about acres of bosom being all the fashion. I thought of that remark when I saw this gown.
Until next time........
Thursday, September 29, 2016
Regency Fashion for August 1816
A round dress, composed of jaconot muslin, finished round the bottom of the skirt by a deep flounce of rich work scalloped at the edge, and a heading to correspond.
The body has a slight fullness behind. The form of the front, as our readers will perceive by our print, is extremely novel and pretty.
Plain long sleeve, finished at the wrist by a pink band and bow.
The cornette worn with this dress is of the mob kind, and by much the most becoming we have ever seen: it is composed of white lace, and tastefully ornamented with roses.
Pink kid slippers, and white kid gloves.
This dress is much approved by belles of taste for its elegant simplicity; its form and materials are certainly strictly appropriate to morning costume. It was invented by Mrs. Gill, of Cork-street, Burlington Gardens, to whom we are indebted for it.
While Ackermann's like the form of the body at the front, personally I am not that keen on it. I am however intrigued by the comment that it is strictly "appropriate". I really love the hem, it is so very pretty and lacy, as well as the pink kid slippers. I especially like the setting since she is sitting on what I assume is a music stool and hold a book of sheet music. What do you think? Do you like the cornette?
Until next time............
Monday, September 26, 2016
Regency Fashion - July 1816
From Ackermann's July 1816
OPERA DRESS.
THIS dress is composed of white lace, and is worn over a rich soft white satin slip.
The skirt is trimmed, in a style of peculiar elegance, with lace festooned at regular distances; the festoons are edged by a plain band of byas satin, and finished by pearl ornaments of a very novel and pretty shape.
The body, composed also of lace, is cut byas, and is richly ornamented round the bosom with pointed lace.
Plain long sleeve, very full, except towards the wrist, which is nearly tight to the arm, and elegantly finished with lace.
The hair, which is ornamented only with a wreath of French roses, is parted in front, and simply dressed in loose curls, which fall very low on each side. The hind hair forms a tuft at the back of the head.
Necklace, ear-rings, and bracelets of pearl.
White satin slippers, and white kid gloves.
A blush-coloured French silk scarf is thrown carelessly over the shoulders.
We are indebted for this very elegant and tasteful dress to a lady of rank, by whom it has just been introduced.
I wonder who the young lady of rank might have been?
Until Next Time - Happy Rambles
OPERA DRESS.
THIS dress is composed of white lace, and is worn over a rich soft white satin slip.
The skirt is trimmed, in a style of peculiar elegance, with lace festooned at regular distances; the festoons are edged by a plain band of byas satin, and finished by pearl ornaments of a very novel and pretty shape.
The body, composed also of lace, is cut byas, and is richly ornamented round the bosom with pointed lace.
Plain long sleeve, very full, except towards the wrist, which is nearly tight to the arm, and elegantly finished with lace.
The hair, which is ornamented only with a wreath of French roses, is parted in front, and simply dressed in loose curls, which fall very low on each side. The hind hair forms a tuft at the back of the head.
Necklace, ear-rings, and bracelets of pearl.
White satin slippers, and white kid gloves.
A blush-coloured French silk scarf is thrown carelessly over the shoulders.
We are indebted for this very elegant and tasteful dress to a lady of rank, by whom it has just been introduced.
I wonder who the young lady of rank might have been?
Until Next Time - Happy Rambles
Thursday, September 22, 2016
Regency Fashion June 1816
I should also note that the marriage of Princess Charlotte had great influence on the fashions at this time.
Evening Gown - June !816 Ackermann's
This dress is composed of white lace, and worn over a rich white soft satin slip; the skirt is finished round the bottom by a deep flounce of lace, and three narrow byas satin tucks, which are surmounted by a wreath of beautiful fancy flowers.
The body and sleeves are peculiarly elegant and novel; a satin front, which forms the shape in an easy and becoming style, is ornamented at each side with a light embroidery of flowers, and finished with bows of ribbon. The sleeve, for which we must refer our readers to the print, is, we think, the most tasteful that has been lately introduced.
The hair is parted so as partially display the forehead, and ornamented with a wreath of flowers.
Necklace, ear-rings and bracelets of diamonds.
White kid gloves, and white satin slippers richly embroidered in coloured silks.
A rich white lace scarf is thrown carelessly over the left shoulder, and partially shades one side of the neck.
Here is a special tidbit just for you! Fashionable colours for the month are, green of all the lighter shades, evening primrose, sapphire blue, pale blush colour, and straw colour.
I do wish I could see the embroidery on the slippers.
Until next time............ Happy Rambles
Monday, September 19, 2016
Regency Fashion June 2015
Bridal Gown from Ackermann's June 1816
This is one of the prettiest gowns we have seen for a while.
Of particular note is the statement that it was designed specifically as a wedding gown, though I must believe the experts in their judgement that in this era the gown would not have been worn for that one occasion only.
Here is the official description:
A FROCK of striped French gauze over a white satin slip: the bottom of the frock is superbly trimmed with a deep flounce of Brussels lace, which is surmounted by a single tuck of byas [sic] white satin and a wreath of roses; above the wreath are two tucks of byas [sic] white satin.
We refer our readers to our print for the form of the body and sleeve: it is singularly novel and tasteful, but we are forbidden either to describe it, or to mention the materials of which it is composed.
The hair is dressed low at the sides, and parted so as to entirely display the forehead: it is ornamented with an elegant aigrette of pearls in front, and a sprig of French roses placed nearly at the back of the head.
Necklace, ear-rings, and bracelets of pearl. White kid gloves and white satin slippers.
We have to thank Mrs. Gill of Cork-street, Burlington Gardens, for both our dresses this month; and we must observe, that the one we have just described, is a wedding-dress which she has recently finished for a young lady of high distinction.
So, there we have a wedding-dress pretty enough to be worn today.
The second gown spoken off will appear in my next blog as I continue to try to catch up. This summer has been a busy one, with books due and relatives visiting from England, not to mention not a single rainy day to keep me indoors at the computer. I hope you didn't miss me to much? Or forget me?
Until next time............
This is one of the prettiest gowns we have seen for a while.Of particular note is the statement that it was designed specifically as a wedding gown, though I must believe the experts in their judgement that in this era the gown would not have been worn for that one occasion only.
Here is the official description:
A FROCK of striped French gauze over a white satin slip: the bottom of the frock is superbly trimmed with a deep flounce of Brussels lace, which is surmounted by a single tuck of byas [sic] white satin and a wreath of roses; above the wreath are two tucks of byas [sic] white satin.
We refer our readers to our print for the form of the body and sleeve: it is singularly novel and tasteful, but we are forbidden either to describe it, or to mention the materials of which it is composed.
The hair is dressed low at the sides, and parted so as to entirely display the forehead: it is ornamented with an elegant aigrette of pearls in front, and a sprig of French roses placed nearly at the back of the head.
Necklace, ear-rings, and bracelets of pearl. White kid gloves and white satin slippers.
We have to thank Mrs. Gill of Cork-street, Burlington Gardens, for both our dresses this month; and we must observe, that the one we have just described, is a wedding-dress which she has recently finished for a young lady of high distinction.
So, there we have a wedding-dress pretty enough to be worn today.
The second gown spoken off will appear in my next blog as I continue to try to catch up. This summer has been a busy one, with books due and relatives visiting from England, not to mention not a single rainy day to keep me indoors at the computer. I hope you didn't miss me to much? Or forget me?
Until next time............
Thursday, August 4, 2016
Fashion May 1816
A Carriage Dress from Ackermann's for May 1816
A cambric slip, tucked very high, and finished at the bottom with a deep flounce of worked muslin.
Over the slip is a robe of the same material, open in front, and trimmed all round with very rich work. The body of the robe is made in the chemiset style, and displays a lace fichu worn underneath.
The long sleeve is ornamented with a bow of blue ribbon, and finished at the wrist by a novel and elegant ruffle.
Head-dress, a cornette composed of plain white lace, profusely trimmed with flounces and blue ribbon.
Gloves and slippers of blue kid.
This dress is likely to continue a favourite, because, independent of its novelty, it is extremely elegant and striking; and both its form and material are peculiarly appropriate to the present season.
We are again indebted to the elegant invention of Mrs. Gill of Cork-street, Burlington-Gardens, for both our dresses this month.
Enjoy! Until Next time.................
A cambric slip, tucked very high, and finished at the bottom with a deep flounce of worked muslin.
Over the slip is a robe of the same material, open in front, and trimmed all round with very rich work. The body of the robe is made in the chemiset style, and displays a lace fichu worn underneath.
The long sleeve is ornamented with a bow of blue ribbon, and finished at the wrist by a novel and elegant ruffle.
Head-dress, a cornette composed of plain white lace, profusely trimmed with flounces and blue ribbon.
Gloves and slippers of blue kid.
This dress is likely to continue a favourite, because, independent of its novelty, it is extremely elegant and striking; and both its form and material are peculiarly appropriate to the present season.
We are again indebted to the elegant invention of Mrs. Gill of Cork-street, Burlington-Gardens, for both our dresses this month.
Enjoy! Until Next time.................
Monday, August 1, 2016
Fashion for May 1816
Evening Gown May 1816
A WHITE satin slip, over which is a white lace dress, ornamented with three quillings of white lace on the skirt, intermixed with bows of white satin ribbon.
The body and sleeve, both of which are richly ornamented with coloured stones, are formed, as our readers will see by the print, in a very novel style.
Head-dress, a cap composed of white satin, finished with a band edged with pearls and a superb plume of white feathers.
Necklace, ear-rings, and bracelets, coloured stones intermixed with pearls. White satin slippers, and white kid gloves.
Such a pretty dress!
Until next time.
A WHITE satin slip, over which is a white lace dress, ornamented with three quillings of white lace on the skirt, intermixed with bows of white satin ribbon. The body and sleeve, both of which are richly ornamented with coloured stones, are formed, as our readers will see by the print, in a very novel style.
Head-dress, a cap composed of white satin, finished with a band edged with pearls and a superb plume of white feathers.
Necklace, ear-rings, and bracelets, coloured stones intermixed with pearls. White satin slippers, and white kid gloves.
Such a pretty dress!
Until next time.
Thursday, July 28, 2016
Fashion April 1816
Opera Dress Ackermann's April 1816
Oddly, this is almost exactly the same gown as the other plate for 1816. I guess this really was the in look for this particular months.
Here is the description.
Opera Dress
White satin slip, over which is a white lace skirt, finished with satin tucks and a rich flounce of deep blond at the bottom. The body is composed of white satin and white lace; it is uncommonly novel and elegant.
The sleeve, which is long, is also composed of satin and lace; its form is original, and the manner in which it is finished at the wrist is singularly tasteful and elegant. The hair is disposed so as to display the forehead, and falls in short loose curls at each side. Head-dress the Berlin cap composed of white satin, lower part ornamented with a rich gold band, and the crown with a profusion of beautiful short ostrich feathers, disposed with much taste and novelty.
The Berlin cap, is, in our opinion, the most generally becoming head-dress which has been introduced for some seasons.
Necklace and cross composed of pearl and amethyst. Pearl ear-rings. White kid gloves and white satin slippers.
We are indebted to the good taste and exquisite invention of Mrs. Gill, of Cork-street, Burlington-Gardens for both our dresses this month.
Until Next time............
Here is the description.
Opera Dress
White satin slip, over which is a white lace skirt, finished with satin tucks and a rich flounce of deep blond at the bottom. The body is composed of white satin and white lace; it is uncommonly novel and elegant.
The sleeve, which is long, is also composed of satin and lace; its form is original, and the manner in which it is finished at the wrist is singularly tasteful and elegant. The hair is disposed so as to display the forehead, and falls in short loose curls at each side. Head-dress the Berlin cap composed of white satin, lower part ornamented with a rich gold band, and the crown with a profusion of beautiful short ostrich feathers, disposed with much taste and novelty.
The Berlin cap, is, in our opinion, the most generally becoming head-dress which has been introduced for some seasons.
Necklace and cross composed of pearl and amethyst. Pearl ear-rings. White kid gloves and white satin slippers.
We are indebted to the good taste and exquisite invention of Mrs. Gill, of Cork-street, Burlington-Gardens for both our dresses this month.
Until Next time............
Tuesday, July 26, 2016
Playing Catch Up
No fashion since April? Right. Sleeves rolled up. Back on it.
I'll be posting couple a week until we are all caught up to August.
Where have I been in the meantime? I had a great trip to England. Stayed at a house Jane Austen used to visit. More on that to come. I feel a blog coming on. But I have to say it was quite a thrill.
I also visited my editor and the editorial team at Harlequin, Mills and Boon in London as well as other interesting spots.
Since then have been to the Romance Writers of America Conference in San Diego, where I learned much, and this week gave a talk at the Limestone Genre Festival in Kingston.
Oh, I have been busy, have I not.?Well now I am back to my writing in full force,and to the blog.
Look out for the first fashion post on Thursday.
Thursday, April 14, 2016
More Than A Lover
Introducing Bladen Read from More Than A Lover In stores April 19
Lots of giveaways and events happening. Here are some links:
April 19 and May 1 Blog and giveaway at CelebratewithaBook.com
April 19 Prettyhot.com
Until next time......................
Thursday, April 7, 2016
Regency Fashion - April 1816
A ROUND dress composed of cambric, and finished at the bottom with a number of small tucks, and a very richly worked flounce with a heading. The back has just fullness enough to give the dress an air of ease, without disguising the contour of the shape.
We refer our readers to the print for the front. Long and very loose sleeve, with a very elegant half sleeve and cuff. A shirt richly trimmed round the collar with lace, and thrown open at the throat, where it fastens with a gold and coral broach.
Hair parted on the forehead and dressed low at the sides. Head-dress an exquisitely fancied lace cap, of a form extremely simple, but uncommonly becoming: it is ornamented with bows of lilac ribbon.
Plain gold ear-rings, and white kid slippers and gloves.
Don't forget to check out my Goodreads Giveaway of my upcoming book More Than A Lover
Until next time.................
Monday, March 28, 2016
Goodreads Giveaway
Starts April 1
More Than a Lover
Will he unlace all of her secrets?
Former captain Bladen Read knows respectable Caroline Falkner would never look twice at an illegitimate ruffian like him. But when he's suddenly thrown into the role of her protector he discovers the undercurrent of tension runs both ways…
At first Caro tries to resist the pull of attraction, for Blade is a link to the scandalous past she buried long ago to protect her son. Although when the opportunity to explore this rake's expertise in the bedroom presents itself, temptation proves too much to resist!
Monday, March 21, 2016
Regency Fashion March 1816
Carriage Dress From Ackermanns From March 1816
To me this looks like a cross between a graduation outfit and a carpet.
Here is the official Description
A high body of jaconot muslin, with a lace frill, over which is a low one, formed of pink silk and trimmed with the same material; the upper part of the trimming is tastefully ornamented with bows of pink ribbon.
Long loose sleeve, finished down the arm with bands and bows, to correspond with the trimming of the train; it is drawn tight at the wrist, and ornamented with a large pink bow.
A superb French shawl is thrown carelessly over the shoulders.
The hair is dressed very much off the forehead, and low on each side of the face.
Head-dress, the Polish cap, which is uncommonly novel and pretty; it is composed of black velvet and ornamented with a silk tassel and gold band.
Necklace, ear-rings, and cross, composed of gold and pearl. French watch, set with pearls. White kid gloves, and black Levantine sandals.
Mrs. Gill, of Cork-street, Burlington Gardens, has favoured us with the original and
elegantly fancied dresses given in our prints this month.
Until next time.....
Monday, March 14, 2016
Brighton Revisited
I anticipated this post would be purely selfish. And yet after digging a bit deeper, perhaps it has some relevance to Regency-world lovers also.
As I have mentioned, Brighton has family associations for me. My dear mother in law, Kit, lived there as a girl, and it is where she met her husband Richard Samuel. And it is not every family that can lay claim to a huge building in a major town - or at least a small part in its beginning.
This is the Burton Tailors building on the corner of North and West Streets in Brighton.
Richard Samuel and his brother Lawrence had a hand in its construction in 1926. They were bricklayers. And this is how Sam, as he was known, who originated in London's East End, met Kit, because just up the road from here lies Wyckham Terrace. Clearly whoever designed the building was trying to capture some of the Regency style of the town.
If you are wondering about the blob at the top of the picture. That is a rain drop. England, people! Raining! Naturally, I could not resist investigating the building's history. Burtons occupied the store until the 1990's. But what a wonderful surprise, look the tailors are gone to smaller premises and now it hosts a lovely bookstore. Waterstones. Such a thrill to find such a neat connection.
Travelling back in time, courtesy of the regencysociety.org the corner was occupied by Geo. Bull, Grocer and Tea Dealer in 1875
http://regencysociety-jamesgray.com/volume21/source/jg_21_003.html
But here is the real treasure, North Street in 1851. G. Bull occupies number 71 on the corner. Father or grandfather, perhaps. I think North Street might well have looked similar in the period of the Regency, don't you?
http://regencysociety-jamesgray.com/volume21/source/jg_21_001.html
Until next time....................
This is the Burton Tailors building on the corner of North and West Streets in Brighton.
Richard Samuel and his brother Lawrence had a hand in its construction in 1926. They were bricklayers. And this is how Sam, as he was known, who originated in London's East End, met Kit, because just up the road from here lies Wyckham Terrace. Clearly whoever designed the building was trying to capture some of the Regency style of the town.
If you are wondering about the blob at the top of the picture. That is a rain drop. England, people! Raining! Naturally, I could not resist investigating the building's history. Burtons occupied the store until the 1990's. But what a wonderful surprise, look the tailors are gone to smaller premises and now it hosts a lovely bookstore. Waterstones. Such a thrill to find such a neat connection.
Travelling back in time, courtesy of the regencysociety.org the corner was occupied by Geo. Bull, Grocer and Tea Dealer in 1875
http://regencysociety-jamesgray.com/volume21/source/jg_21_003.html
But here is the real treasure, North Street in 1851. G. Bull occupies number 71 on the corner. Father or grandfather, perhaps. I think North Street might well have looked similar in the period of the Regency, don't you?
http://regencysociety-jamesgray.com/volume21/source/jg_21_001.html
Until next time....................
Tuesday, March 8, 2016
Regency Fashion - the hush hush gown
Evening Dress, March 1817 the trimming of which is top secret---apparently....
From the March Ackermann's Repository 1816
EVENING DRESS.
WHITE satin slip trimmed with a deep flounce of blond lace, set on full and finished by a double heading.
The upper dress is a robe composed of striped French gauze, open in front: the waist is very short; and the body, which is made in a perfectly novel style, displays the contour of the shape to the utmost advantage.
For the form of the sleeve, which is peculiarly elegant, we refer our readers to the print; as we are also obliged to do for the beautiful trimming which goes round the robe: it is composed of novel materials, which we are not allowed to describe.
Hair dressed much off the forehead, and low at the sides. Head-dress Circassian turban composed of French gauze: the ends, which depend from each side, are so disposed as partly to shade the neck; they are extremely rich and beautiful.
The only ornament is a superb aigrette composed of pearls and rubies. This head-dress is well calculated for graceful and majestic belles, to whom it gives what the French term l’air imposant.
Necklace, earrings, bracelets, rubies intermixed with pearls. White satin slippers and white kid gloves.
................My excuses for the pallor of this plate. I must say, the dress is pretty, both the robe and the petticoat beneath, but that the trimming is a secret, well curiosity killed the cat. I must visit this modiste immediately to see it for myself.
Until next time.
EVENING DRESS.
WHITE satin slip trimmed with a deep flounce of blond lace, set on full and finished by a double heading.
The upper dress is a robe composed of striped French gauze, open in front: the waist is very short; and the body, which is made in a perfectly novel style, displays the contour of the shape to the utmost advantage.
For the form of the sleeve, which is peculiarly elegant, we refer our readers to the print; as we are also obliged to do for the beautiful trimming which goes round the robe: it is composed of novel materials, which we are not allowed to describe.
Hair dressed much off the forehead, and low at the sides. Head-dress Circassian turban composed of French gauze: the ends, which depend from each side, are so disposed as partly to shade the neck; they are extremely rich and beautiful.
The only ornament is a superb aigrette composed of pearls and rubies. This head-dress is well calculated for graceful and majestic belles, to whom it gives what the French term l’air imposant.
Necklace, earrings, bracelets, rubies intermixed with pearls. White satin slippers and white kid gloves.
................My excuses for the pallor of this plate. I must say, the dress is pretty, both the robe and the petticoat beneath, but that the trimming is a secret, well curiosity killed the cat. I must visit this modiste immediately to see it for myself.
Until next time.
Thursday, March 3, 2016
Needlework
From time to time I post a needlework project I have completed. Here is a blackwork tray cloth I undertook after a class with Liz Almond. It took me ages to do.You can imagine this on one of the ubiquitous tea trays that always make an appearance in many scenes. Er... not in my house though. No putting rings on my tray cloth, thank you very much.
As you may know, Blackwork is from an earlier era, and was simply something I wanted to try, along with the fancy edging that might well have been used in the Regency period for finishing a handkerchief. The style would have been known to our ladies of the ton, if only from the paintings in their galleries of ancestors. Not in this form though, which is a modern take on it. I can assure you, the back does not look exactly like the front.
I often read about Regency heroines who hate embroidery. Knowing how satisfying this form of creation is, to me hating embroidery or needlework, seems like us hating having new paint on the walls of our living space or even hating having a job. Embroidery was an expression of a lady's skill in making her home a comfortable and beautiful place to live. A Lady (as against a woman) would have hours of time at her disposal, and since medieval times and before, embroidery was valued for its beauty and its purpose. It was a sign of being a lady, in my opinion.
All of my heroines have some embroidery on the go, just like me. While embroidery on a gown might be done by a seamstress, embroidery on underthings, monograms on handkerchiefs, decorative pillows, embroidery on slippers, would be the privilege and pride of a lady, who would sew while her hero read to her, or a sibling did so, or while merely sitting chatting of an afternoon or evening. She would consider it her work, her contribution to her home.
Until next time.............
Monday, February 29, 2016
Leap Year Special and Fashion
Promenade Dress - Ackermann's Februrary 1816
A plain high body, over which is worn a spencer made of velvet one shade darker than the dress and ornamented with white satin; the half-sleeve, which is composed of white satin, and finished with white silk ornaments, is particularly novel and tasteful.
Head-dress, improved French bonnet, lined, edged, and trimmed with white satin, and ornamented with white feathers. Pointed lace ruffs. Mulberry kid sandals and gloves.
The Roxburgh muff worn with this dress is composed of white satin and swansdown, and lined with white satin. This muff, which we may venture to recommend to our fair readers as a very elegant novelty, is just introduced by Mrs. Griffin, and is, from the beauty and delicacy of its materials, calculated only for the first style of promenade or carriage dress.
We are indebted to the taste and invention of Mrs. Griffin, of Rider-street, St. James’s, for both our prints this month.
Until next time............................
Thursday, February 11, 2016
St. Valentine's Day
Valentine's Day is always a special day in the world of Romance, no what genre or era. In the Regency Valentine's Day was marked with not cards and chocolates as it is so often today. I love those little heart shaped boxes of chocolates. I always bought them for my daughters. I digress.
Valentine's Day was more of a "home made" affair, with posies and poems from secret admirers. I would be looking for a posy of snowdrops in February in England. A sign that spring was just around the corner and that the dude (sorry, gentleman) had gone to some trouble to seek them out.
Which would be the flower to win your heart?
Talking of winning hearts, I have joined in with several other romance authors to give away St Valentine's Day goodies. If you want to know more about the contests, check out my facebook page: https://www.facebook.com/AnnLethbridgeAuthor Here is a graphic taste of what we are up to.
Valentine's Day was more of a "home made" affair, with posies and poems from secret admirers. I would be looking for a posy of snowdrops in February in England. A sign that spring was just around the corner and that the dude (sorry, gentleman) had gone to some trouble to seek them out.
Which would be the flower to win your heart?
Talking of winning hearts, I have joined in with several other romance authors to give away St Valentine's Day goodies. If you want to know more about the contests, check out my facebook page: https://www.facebook.com/AnnLethbridgeAuthor Here is a graphic taste of what we are up to.
Wishing you all a happy day with your significant other, chocolate, a book, a movie, or whatever else floats your romance boat
Until next time
Monday, February 8, 2016
Regency Fashion February 1816
Given that the Season has hardly started, we begin with a very elegant gown. Perhaps an invitation to a country estate came your way. If so, this would be apropos.
EVENING DRESS Ackermann's February 1816
White crape, or lace frock, over a white satin slip; the body and sleeves are formed of a very elegant fancy material, which has just been introduced.
The body is extremely novel and elegant: we refer our readers for its form to our plate: the sleeve is very short, and, as well as the body, trimmed with blond, which is set on full.
The skirt is made a walking length, and is trimmed in a most tasteful style; but the slight view which we had of the dress will not permit us to describe it: our readers, will, however, be able to form a very correct idea of it from our plate.
Head-dress, the toque a la Rubens, composed of white lace, and ornamented with feathers and precious stones. Necklace, ear-rings, and locket, of diamonds.
White satin slippers trimmed en suite, and made, as all dress shoes now are, to come very high over the foot.
White kid gloves trimmed with tull. A French scarf, superbly embroidered at the ends, and thrown carelessly over the arm.
This dress, we understand, was invented by Mrs. Griffin for a lady of distinction; and it is certainly extremely novel and elegant.
The lack of specificity in this description is very odd. The fancy new material introduced. The body novel, but then refers the reader to a plate in which it is difficult to see because the model is turned sideways on.
Marketing 1816 style? Well done Mrs Griffin.
Until next time.
White crape, or lace frock, over a white satin slip; the body and sleeves are formed of a very elegant fancy material, which has just been introduced.
The body is extremely novel and elegant: we refer our readers for its form to our plate: the sleeve is very short, and, as well as the body, trimmed with blond, which is set on full.
The skirt is made a walking length, and is trimmed in a most tasteful style; but the slight view which we had of the dress will not permit us to describe it: our readers, will, however, be able to form a very correct idea of it from our plate.
Head-dress, the toque a la Rubens, composed of white lace, and ornamented with feathers and precious stones. Necklace, ear-rings, and locket, of diamonds.
White satin slippers trimmed en suite, and made, as all dress shoes now are, to come very high over the foot.
White kid gloves trimmed with tull. A French scarf, superbly embroidered at the ends, and thrown carelessly over the arm.
This dress, we understand, was invented by Mrs. Griffin for a lady of distinction; and it is certainly extremely novel and elegant.
The lack of specificity in this description is very odd. The fancy new material introduced. The body novel, but then refers the reader to a plate in which it is difficult to see because the model is turned sideways on.
Marketing 1816 style? Well done Mrs Griffin.
Until next time.
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